@aplusk The reason your office picture couldn't be in the background: copyright and licensing; not enough time to clear it.
@aplusk The reason your office picture couldn't be in the background: copyright and licensing; not enough time to clear it.
Phil Wolff on April 19, 2009 at 02:00 AM | Permalink | Comments (0) | TrackBack (0)
Hudson Barton builds on my analysis (http://ping.fm/spt8T) of why skype is being IPO'd http://ping.fm/dr16K
Phil Wolff on April 16, 2009 at 10:01 AM | Permalink | Comments (0) | TrackBack (0)
I'm sending this tweet via ping.fm via Skype chat.
Phil Wolff on April 16, 2009 at 02:38 AM | Permalink | Comments (0) | TrackBack (0)

800-GOOG-411 billboard in Oakland, California - Monday night. Photo cc-by Phil Wolff, SkypeJournal.com.
The editors of Practical eCommerce magazine asked me these five questions for their November package on the future of eCommerce.
Skype, wireless Internet, cheap broadband access, cell phones. How does the explosion in communication technology affect ecommerce businesses?
How does an ecommerce owner balance the offering of services, such as video, that require a decent amount of broadband against the reality that many consumers (and, potential customers) still use dial-up Internet access?
How will consumers access the Internet five years from now?
What new communication technologies do you foresee? How will they affect ecommerce business?
Other thoughts on the future of communication technologies relative to ecommerce firms?
What do you think?
Phil Wolff on September 25, 2007 at 11:59 AM | Permalink | Comments (1) | TrackBack (0)
My breakfast club asked about the future of music; my take.
In twenty years...
We'll be listening through...
Everything touchable/viewable has the option of a sonic identity as printable electronics become free/cheap. This means all goods have theme songs, animation, and spoken (Chinglish?) instructions built in; and we're talking about products, not even their packaging. Early cacophony in retail (all those products talking, singing, emoting) leads to more polite sound triggers and real-time, inter-product/brand negotiation for which gets to play what when and for whom.
Lastfm will offer a service to hotels and casinos. RFID your room key cards (passports?) and we'll program the music in W's lounges, hallways, elevators, bars and lobbies. personal music prefs blended with the ever changing mix of people in each space. You're bringing your ambience with you when you enter a room; it lingers for only a short while after you leave.
Live performance regains currency, for its freshness and authenticity. Those 4-hour-workweek folks source a Lincoln, NB, string quartet for their dinner in Shanghai.
Despite Google buying out AT&T, latency remains a challenge for musicians when they play, if not when they distribute their music.
Lastfm is still around, of course, because they exploited unsold/archaic ad banner inventory to sell instant access to live music performances. Combining personal/social music profiles with realtime ad targeting let them make irresistible offers. One click on a widget and you're listening/seeing/playing-with that Nicaraguan garage band you read about.
It may be retro in 20 years (after 15 years on the market), but people still use a TV scoring/fx bot for their personal video channels, sometimes even for their voice chats. With a few cues and clues, it cleverly drops in dramatic theme music, transitions, emergency room sound effects, laughtracks, and other audio. First used to spice up decades of old audio books, the company got rich by revitalizing ancient YouTube backlists.
Google will be how you find music, as rich media, especially those with words inside, become searchable. So you'll whip out your phone, hit the Goog button, speak "most embarrassing song ever" and see a young pre-lipo Britney Spears on the 2007 MTV Video Awards.
Phil Wolff on September 18, 2007 at 10:28 PM | Permalink | Comments (0) | TrackBack (0)
Phil Wolff on July 16, 2007 at 11:07 AM | Permalink | Comments (0) | TrackBack (0)
Transformers is a great summer action flick. I saw it Monday night at a sold out 11pm showing. Its US immigration policy subtext is not so subtle. [spoilers]

-- Part 1 - The Evil Alien Invasion --
Aliens show up.
No passport. No visa. No border patrol. Just falling from the sky.
Bad aliens that kill people, attacking American soldiers, breaching security. They are here to destroy our lives.
They look strange. They hide among us, online and off, often in plain site. Walking down the road, is that a car or a killer? A Nokia N93 or a fire spitting monster?
Easy movie making: a few minutes of slithering, exploding violence set up the first wave of aliens as bad guys. Prime the xenophobic pump.
-- Part 2 - The Nice Aliens --
Good aliens show up. Only a handful.
You get to know them as people, as individuals. They wear bright colors, apologize for stepping on the grass, exercise restraint, crack jokes. Some have trouble speaking English but connect through pop culture. They wear all-American GM trademarks.
They help our hero get the girl.
And these good aliens serve with the U.S. Army, earning the right to stay when the war is over.
Harder movie making: at least half the film spent defining characters, relationships, showing the humanity behind alien masks.
-- Part 3 - Humans Respond --
At first all aliens look alike, are treated as bad guys. We see good guys captured, threatened, held without warrant, and tortured.
Only when humans personally intervene, risking their freedom for alien friends, are the good aliens freed to fight the bad aliens.
Even then, the good aliens are forced to hide their true natures, to stay in American costume, to assimilate.
-- Part 4 - Themes --
Explicit Good fighting Explicit Evil. (The movie's marketing emphasis.)
Appearances can be deceiving. Less so with people calling themselves "Decepticons."
Xenophobia is easy. Compassion is difficult.
Take care defining "us" and "them" in "it's between us and them."
Resolving the tension between who we really are and how we portray ourselves is worthwhile.
An American Dream is the freedom to reinvent yourself.
You need a car to win a girl's heart.
-- This Transformer Blog Post Sponsored By --
Good guy product placement: eBay, GM cars (Chevy, Camaro, Pontiac Solstice, Shelby GT), Motorola, The Strokes, My Little Pony, Lockheed (F-22, F-117 stealth fighter, C-130 gunship), Xbox-360, Sirius radio, Pepsi, Apple computers and cinema displays, Burger King, Panasonic, Furby, Hostess Ding Dongs.
Bad guy product placement: eBay, Nokia, F-22, Mountain Dew soda, Saleen cop car ("To punish and enslave").
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Phil Wolff on July 04, 2007 at 12:00 PM in public policy | Permalink | Comments (0) | TrackBack (0)
Technorati Tags: Apple, Autobots, Barricade, Blackout, Bonecrusher, Brawl, Bumblebee, Burger King, C-130 gunship, Camaro, cars, Chevy, cinema display, Decepticons, eBay, F-117, F-22, Frenzy, Furby, GM, GT, Hostess Ding Dongs, immigration, Ironhide, Jazz, Lockheed, Megatron, Motorola, Mountain Dew, movies, My Little Pony, N90, Nokia, Optimus Prime, Panasonic, Pepsi, politics, Pontiac, Ratchet, Saleen, Scorponok, Shelby, sirius, Sirius radio, Solstice, Starscream, stealth fighter, The Strokes, transformers, xbox, xbox360, xenophobia
Phil Wolff on November 22, 2006 at 02:49 AM | Permalink | Comments (0) | TrackBack (0)
After living in the dark for so long a glimpse of the light can make you giddy.
Strange thoughts come into your head and you better think 'em.
Has a special fate been calling you and you not listenin'?
Is there a secret message right in front of you and you not readin' it?
Is this your last best chance?
Are you gonna take it?
Or are you going to the grave with unlived lives in your veins?
Justine - The Good Girl (2002)
Phil Wolff on February 01, 2005 at 10:30 PM in Film, life | Permalink | Comments (0) | TrackBack (0)
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